Το φιλολογικό puzzle της αναστήλωσης : Χορός πάνω στα στάχυα, του Ιάκωβου Καμπανέλλη. Ανολοκλήρωτες δημοσιεύσεις, αποσπασματικά χειρόγραφα, ραδιοφωνικές διασκευές
Part of : Παράβασις : επιστημονικό περιοδικό Τμήματος Θεατρικών Σπουδών Πανεπιστημίου Αθηνών ; Vol.7, No.1, 2006, pages 295-344
Issue:
Pages:
295-344
Parallel Title:
The philological puzzle of reconstruction : Dance over the ears of wheat by Jacovos Kambanellis
Section Title:
Μελέτες και άρθρα
Author:
Abstract:
This articles tries to reconstruct the plot and the dialogue text of one of the first plays of Jacovos Kambanellis, Dance Over the Ears of Wheat, performed by the Lemos-company in 1950 in an Athens’ suburb theatre. The pieces of text are scattered in three different sources: the publication of the first act in a cultural review in 1949, a fragmentaric manuscript in the archive of the author (a great part of the first act and the third act) and an adaptation for radio, which gives a shortened version of the original play, with corrections by the author himself. The text evidence gives the impression of a “work in progress” with at least four different versions. The play is analysed and compared with the “Blood Wedding” of Lorca and “The Bride Song” of Notis Pergialis.
Subject (LC):
Keywords:
τραγωδίες, δραματουργία
