Από τον Αχόρταγο στο Κουκί και το ρεβύθι : το ελληνικό έργο στην επτάχρονη δικτατορία
Part of : Παράβασις : επιστημονικό περιοδικό Τμήματος Θεατρικών Σπουδών Πανεπιστημίου Αθηνών ; Vol.9, No.1, 2009, pages 61-196
Issue:
Pages:
61-196
Parallel Title:
Greek plays during the dictatorship
Section Title:
Μελέτες και άρθρα
Author:
Abstract:
During the sixties, the experimentation and self reflection in theatrical writing prominent in Europe, didn’t seem to have a big influence on Greek writers. At that particular period in Greece, there were numerous theatrical writers who made their first appearance. Some of them attempted to define a new greek style and form a greek theater of the paralogue. Others, wrote plays which were closer to the genre of farce. At the end of the dictatorship, there was, with a few exceptions, a plethora of plays which were schematic and shared a rather vague ideological position. As a result, we can not speak, of a real renaissance of greek theater during the dictatorship.
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