Alice doesn’t : refusing the seduction of the narrative in Caryl Churchill’s Vinegar Tom
Part of : Γράμμα : περιοδικό θεωρίας και κριτικής ; Vol.2, No.1, 1994, pages 47-60
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47-60
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The British playwright Caryl Churchill examines the ways in which she can avoid writing a play that conforms to the traditional narrative structure which is considered to be “seductive,” in the sense that it offers, according to the feminist film theorist Teresa de Lauretis, a sadistic pleasure to the audience. The article concentrates mainly on the historical narrative and simultaneously examines the ways in which Churchill rewrites, or rather “re-stages,” history in her play Vinegar Tom.
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δραματουργία
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Περιέχει σημειώσεις και βιβλιογραφία
