Ζητήματα ερμηνείας της ζωγραφικής στη Μεταμόρφωση στο Πυργί Αυλωναρίου : Όψεις της λατινοκρατούμενης Εύβοιας
Part of : Δελτίον της Χριστιανικής Αρχαιολογικής Εταιρείας ; Vol.51, 2012, pages 141-154
Issue:
Pages:
141-154
Parallel Title:
Issues on the Meaning of the Frescoes in the Transfiguration Church at Pyrgi, near Avlonari : Aspects of Euboea under Latin Occupation
Section Title:
Articles
Abstract:
The aim of the paper is to prove, that Euboea during its Venetian Period (1204-1470) produced an art, especially monumental painting, that iconographically remained faithful to the orthodox doctrine. This fact conforms to what we know about its Political and Church History, i.e. a conscious though latent resistance against the non-Orthodox conquerors.
Subject:
Subject (LC):
Keywords:
Late Byzantine, Euboea, History, Monumental Painting, Iconography, Υστεροβυζαντινή περίοδος, Εύβοια, Ἱστορία, Μνημειακή Ζωγραφική, Εικονογραφία
